Archives:
The Arrivals
Photo by Katie Hovland
For over ten years, The Arrivals have been a mainstay of Chicago’s punk rock community. With each album they evolve and the latest full-length, Volatile Molotov, represents some of their most ambitious work yet. We discussed the new record with singer/guitarists Isaac Thotz and Dave Merriman, along with a variety of additional topics. The guys gave especially detailed responses and we would like to thank them for taking the time to answer our questions. Also, be sure to check out the video below of the band performing “Children’s Crusade” on JBTV.
Smoke Or Fire – The Speakeasy
Fat Wreck Chords – Release Date: 11/9/10
The Speakeasy is Smoke Or Fire’s definitive statement. It incorporates the catchy choruses of Above the City and the pop sensibilities of This Sinking Ship, but also adds advanced songwriting and a newfound sense of confidence. “Integrity” opens the record with an ascending melody and a critique of the American media before segueing into “Monsters”, which decries white-collar crime and exhibits an epic, anthem-like hook. “Neon Light” is the first single and it’s one of the more rock-oriented tracks on the disc. It features acoustic guitar, a distinctive beat and an unforgettable chorus. “Everything Falls Apart” is a peppy punk number that provides some seriously badass guitar solos. “Shotgun” might just be the top song on the album, due to both its stirring lyrics concerning a friend struggling with addiction and its powerful vocal delivery. “Utah” closes the album on a positive note, as it offers an uplifting message regarding the importance of individuality. Often compared to Hot Water Music and Avail, Smoke Or Fire proudly carries the torch that was lit by said bands. The Speakeasy is a complete work and will be remembered for years to come. It’s also unquestionably one of the best records of 2010.
Matt Allison, Atlas Studios
Photo by Katie Hovland
Growing up in a musical family from Rockford, Illinois, Matt Allison began his path to becoming a producer while playing guitar and bass in various high school bands. He later moved to Champaign, Illinois to pursue an English degree, yet his passion for music remained. Allison continued playing in bands, but also took interest in recording demo tapes for his and his friends’ bands alike. “I kind of realized you could really exercise a lot of whatever creative urges you had via recording music, while at the same time making a much better living than you possibly would as a musician,” he said. “In some ways it was like hedging a bet, career-wise, but on the other hand I never have been interested in being a touring musician. Working in a studio is something I really enjoy doing.” Allison and a friend eventually constructed a small studio in the attic of the home where they were living, though it soon became apparent that Champaign was simply overcrowded with studios and under-populated by bands. This revelation is what ultimately led Allison to migrate to Chicago. Continue Reading…
The Scissors
Darren Vorel of The Scissors by Katie Hovland
Since forming in 2002, The Scissors have continually labored to hone their sound and expand their following. In late March of 2010, they released their third album, You Can Make It Dangerous. Recorded by Matt Allison and produced by Grammy-nominee Tom Higgenson, this record is somewhat of a star-studded affair, but most importantly, it’s got the songwriting chops to back it up. Taking more of a pop direction than their previous efforts, You Can Make It Dangerous finds The Scissors experimenting with new sounds, but also maintaining their longstanding punk undertones. The album is further augmented by the group’s most solidified lineup yet, and with any luck The Scissors will soon be one of the biggest names in Chicago punk rock. Continue Reading…
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