Reviews

The Menzingers – Some of It Was True

Epitaph – Release Date: 10/13/23

The Menzingers released their seventh studio album last month and in doing so, have retained their signature characteristics, while simultaneously breaking new ground. With much of their previous lyrical content rooted in nostalgia, this record deals more with events taking place in the present. There’s also an increased amount of confidence in the songwriting, which helps the songs to naturally sound more a bit more mature.

Album opener “Hope is a Dangerous Little Thing” places singer/guitarist Greg Barnett’s vocals front and center, and he continues to evolve and improve with each record. In many ways this song is classic Menzingers, infectious and catchy, but an older, wiser version of the band. “There’s No Place in This World for Me” finds them in top form, seamlessly blending punk and heartland rock. There’s even a sing-along outro that evokes hints of Naked Raygun.

“Nobody Stays” is an energetic entry, led by singer/guitarist Tom May, and one that mixes indie and alt-rock influences in a really unique way. Its lyrics talk about how nothing is permanent and the importance of enjoying the moment, and this theme is reinforced throughout the album. “Try” is another song penned by May and it’s steered by a phenomenal guitar lead that conjures memories of their second album, Chamberlain Waits. It features guitar leads that spring at the listener from all angles and sounds like a modern interpretation of their early years.

“Come on Heartache” is an expertly-crafted, midtempo number and likely one of the best songs they’ve written to date. Barnett petitions against having his heart broken again, while the band sounds especially comfortable moving at a slower pace. It’s the sort of song that years from now could likely be looked back on as a major turning point for the band. Other songs that successfully employ new influences include “Ultraviolet,” “Alone in Dublin” and “I Didn’t Miss You (Until You Were Gone).”

Some of It Was True sees The Menzingers growing up, but not in a way that’s necessarily predictable. They continue to push their sound and lyrics further, and do so with purpose. Ultimately, this is a record that not only effectively ties together their previous efforts, but one that positions them for a favorable future.

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